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Death in Spring by Mercè Rodoreda Review

Title: Death in Spring

Author: Mercè Rodoreda

First published May 30, 1986

150 pages, Hardcover

ISBN: 9781934824115 (ISBN10: 1934824119)

Rating: 3.82


Death in Spring by Mercè Rodoreda is a haunting tale of a nameless town’s bizarre and destructive traditions. The story is narrated by a young boy who struggles to comprehend the reasoning behind burying the dead in trees, filling their mouths with cement, or sending men to swim in the river underneath the town.

Alongside his wild and childlike stepmother, the boy navigates his way through this disturbing society, where ritual violence is the norm. Mercè Rodoreda’s poetic language and lush descriptions beautifully contrast the horrific and violent rituals of the town.

Written over a period of twenty years, Death in Spring is a masterpiece that showcases the author’s exceptional writing prowess, making it a must-read for all literature enthusiasts.

About the Author

Mercè Rodoreda i Gurguí, a novelist from Catalonia, is highly regarded for her literary contributions during the postwar period. Her novel “La plaça del diamant” has earned critical acclaim as the most celebrated Catalan novel of all time, and has been translated into more than 20 languages since its first publication in 1962.

Many consider it to be the finest novel about the Spanish Civil War.

Editoral Review

Mercè Rodoreda’s Death in Spring, published in May 1986, is a haunting and poetic masterpiece that explores the interplay between life and death, the beauty and brutality of nature, and the human desire to cling to traditions in the face of change. This novel is considered one of the most important works of Catalan literature and has been translated into more than twenty languages.

Rodoreda was a Catalan writer who fled Spain during the Spanish Civil War and spent most of her life in exile in France and Switzerland. Her work is characterized by an exquisite attention to detail, a fascination with the natural world, and a deep empathy for her female characters.

Death in Spring is no exception, as it immerses readers in a surreal and oppressive world where flowers grow out of skulls, the river is a metaphor for life and death, and traditions are enforced with brutal force. The novel takes place in a small, remote Catalan village where the annual rite of covering the town with whitewash takes on a spiritual significance that only intensifies as the protagonist, a fourteen-year-old boy, begins to question the purpose and consequences of such a ritual.

He is a sensitive and curious observer who becomes increasingly disillusioned with the cruelty and irrationality of the adults around him. His father, a stonemason, is a stoic and distant figure who embodies the patriarchal values that oppress women and children.

His mother, a rebel at heart, must hide her true self to avoid persecution. The characters and setting are symbolically charged, with a sense of foreboding pervading every page.

The strength of Death in Spring lies in its language, which is lyrical, evocative, and often surreal. Rodoreda uses metaphors and symbolism to create a world that is both beautiful and terrifying, where the boundaries between life and death are blurred, and where the forces of nature, history, and tradition collide.

The novel is a meditation on the cyclical nature of existence, on the fragility of human life, and on the power of stories to shape our perception of reality. The weaknesses of the novel are mostly related to its pacing, which can be slow and meandering at times.

The plot is not always clear, and some readers may find it hard to follow the narrative threads. The characters, while well-drawn, are not always fully developed, and some of their motivations may seem arbitrary or underexplained.

Despite its flaws, Death in Spring is a must-read for anyone interested in exploring the complexities of human nature and the power of language to shape our understanding of the world. It is a book that rewards careful reading and rereading, as each chapter contains layers of meaning that can be uncovered with closer attention.

It is also a book that resonates with contemporary concerns about the environment, social justice, and the fragile balance between tradition and change. In conclusion, Death in Spring is a masterpiece of Catalan literature that deserves wider recognition.

It is a book that will stay with readers long after they finish it, haunting them with its images and insights. I give this book a 4.5 out of 5 stars, but I encourage readers to judge it for themselves and to savor its language and symbolism.